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Ballet Luminary Matthew Ball on Demanding Parts and Social Media Attention: 'I'm Not Protective About My Body'

Within the hushed ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his limbs defined beneath a plain white T-shirt. During performances, dancers can appear as powerful gods, yet often offstage they are petite. This is not true for Ball, whose tall stature is one reason for his demand for princely characters and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal ridicule for his childhood interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was advanced each year, reaching the highest position of principal in 2018. He has relished taking on meaty characters, particularly the emotional turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured appearance is as himself, in an "Evening With" event designed to offer intimate perspectives into a performer's art. He will walk the audience through a part, showing his mental process during performance. Even in lighter ballets, the test is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and Post-Performance Feelings

What about following a show, when he has pulled it off? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel self-conscious later. Following an intense role I'm always like: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer once observed on a "sense of suffering in him." Does this exist? "I'm quite active usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Motivations and Artistic Inspirations

Ball's tenacity stemmed from early setbacks. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own choreography. In his view, "organic movement has value." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, compositions, and art.

Intimate Dance and Personal Partnership

He also favors staging dance in smaller venues. "It was just really exciting," he says of a previous experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, fans can see clips from his projects and images that highlight a sculpted physique. Does he mind that the response can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple ways.

Ball describes his early self as "eager for success." Did it met his hopes? "I am conscious of how life is a different thing to the aspirations you made as a young person," he reflects. He likely has about ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

MH
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Martin Hancock

A seasoned blackjack strategist with over a decade of experience in UK casinos, specializing in card counting and risk management.

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