This Drifting Poo Was Way Too Symbolic! It's the Television Letdowns of the Past Year.

Looking back, we consider the TV offerings of the recent year, a selection of shows emerge not for their excellence, but for their spectacular failures. Ranging from awkward sequels to bafflingly bad docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Plagued with woeful scripts, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final series started, it seemed as if it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the final series. It ended on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, fans certainly found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to begin listing the problems. The hilariously wooden writing? The mind-numbing glorification of wealth and materialism? The almost deliberate procession of cliches? Performances so poor they felt borderline malicious? Let’s just say “all of the above” and never speak of this show again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be saved for the people who have had to suffer close contact with this charismatic but dismissive egotist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a conflict over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s televised forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to admit that in this case, they may have a point. It’s like watching a homeware magazine come to life; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was like reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something way beyond it.

Too Much

How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right tone, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This international thriller about government agencies spying on – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit exploits as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Martin Hancock
Martin Hancock

A seasoned blackjack strategist with over a decade of experience in UK casinos, specializing in card counting and risk management.